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Sound & instruments

Hear the guitar and bass separately, then together

A listening exercise for Billy Talent recordings that looks beyond the most obvious riff.

© Leonhard Kreissig // LeoDE · Image source · CC BY 4.0 · Web-sized

Sound & instruments

Follow the guitar while the voice keeps going

A short exercise using Try Honesty and Red Flag, without notation or isolated tracks.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

Backing voices: doubling, a separate line or an answer?

An additional voice can perform several different jobs.

© Markus Maier · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

Why a riff is more than a chord sequence

Pitch names alone do not explain what makes a musical figure recognisable.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

Rhythm also lives in the gaps

Note endings and open spaces can shape a figure as strongly as its entrances.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

Clean and distorted: comparing textures more carefully

A description of the sound is more useful than guessing a pedal name.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

A drum fill does more than announce a chorus

Hear a short rhythmic departure in the context that gives it a purpose.

© pitpony.photography · Image source · CC BY-SA 3.0 · Web-sized

Sound & instruments

Tempo and energy are not the same thing

A BPM figure measures a pulse, not the full effect of a recording.

© Biha · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

What a producer credit actually explains

Document participation without assigning every sound to a single person.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

One guitar on stage, several layers on a recording

Visible personnel do not reveal the number of studio tracks.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

Left, right and between: hearing stereo space

A spatial sketch of a recording is not a plan of the stage.

© Sven Mandel · Image source · CC BY-SA 4.0 · Web-sized

Sound & instruments

Compare a demo with the album version without forcing a progress story

The deluxe Afraid of Heights release provides explicitly labelled pairs.

© Leonhard Kreissig // LeoDE · Image source · CC BY 4.0 · Web-sized

Sound & instruments

Learning a song with your ears, original exercises and official material

Not every tab result is equally reliable, and finding one does not mean it needs to be copied.

© Leonhard Kreissig // LeoDE · Image source · CC BY 4.0 · Web-sized

Sound & instruments

A listening notebook you can still understand later

A few concrete details are more useful than a page of verdicts.

© Leonhard Kreissig // LeoDE · Image source · CC BY 4.0 · Web-sized

Sound & instruments

Understanding compression without inventing album measurements

Dynamic processing and smaller audio files are different subjects.

© Leonhard Kreissig // LeoDE · Image source · CC BY 4.0 · Web-sized

Sound & instruments

Arrangement before the shopping list

An equipment model does not explain the job a guitar line performs in a song.

© Leonhard Kreissig // LeoDE · Image source · CC BY 4.0 · Web-sized

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